Robert Giles
A serious contender for my favourite album of 2017. This collaboration is a stroke of genius. Kronos' modern classical stylings weave a complex background to this rich tapestry of African folk melodies. Very rewarding listening in 96/24 HD.
Favorite track: Eh Ya Ye.
Ladilikan, the new album by Trio Da Kali and Kronos Quartet, represents a landmark in cultural cross-fertilisation that both parties rank among the most satisfying musical experiences of their careers. David Harrington, Kronos’ artistic director and founder, enthuses that the album is “one of the most beautiful Kronos has ever done.” On first hearing their griot grooves being played by violins, viola and cello, Trio da Kali’s musical director Fodé Lassana Diabaté said, “This is going to be the best collaboration of my life.”
Da Kali means ‘to give a pledge’ – in this case to a musical heritage that dates back to the time of Sunjata Keita, founder of the great Mali empire in the early 13th century. The line-up of balafon (xylophone) bass ngoni (lute) and female singer is also based on ancient tradition, although the trio format and its repertoire is now an endangered species in contemporary Malian music.
All three Da Kali members come from celebrated hereditary musical families, and were brought together as a griot ‘super-group’ by Dr Lucy Duran on behalf of the Aga Khan Music Initiative (AKMI), which has an admirable track-record of commissioning and producing a variety of projects involving traditional musicians. Balafon player Diabaté was a long-time member of Toumani Diabate’s Symmetric Orchestra and has recorded with Salif Keita, Taj Mahal and many others. A musician of great subtlety and invention he has honed a virtuosic two-balafon technique to perfection. Bass ngoni player Mamadou Kouyaté is the eldest son of the instrument’s greatest exponent Bassekou Kouyaté, and he holds down the groove in his father’s band Ngoni ba. He is also involved in the thriving Bamako hip-hop scene. Singer Hawa ‘Kassé Mady’ Diabate is the daughter of Mali’s greatest traditional singer, Kassé Mady Diabate, and the power, range and phrasing of her voice led Harrington to compare her to the late queen of American gospel Mahalia Jackson.
The Kronos Quartet – violinists Harrington and John Sherba, violist Hank Dutt and cellist Sunny Yang - have built an enviable reputation as the world’s most adventurous string quartet. Known for their commitment to continually re-imagining the string quartet experience Kronos has released over 60 albums of extraordinary breadth and creativity, and they are no strangers to collaborations with some of the world’s foremost composers and artists. For this project, Kronos turned to the American composer and their frequent collaborator Jacob Garchik to arrange Trio da Kali’s repertoire. Combining the spirit of fearless exploration with expert craftsmanship and skill, Trio Da Kali’s original repertoire has been taken on a fascinating journey, giving a new voice to timeless sounds.
AKMI commissioned the project as part of a long-term collaboration with Kronos that brings them together with leading artists from AKMI’s roster to compose, arrange and perform new music rooted in but not constrained by tradition.
credits
released September 15, 2017
TRIO DA KALI
Fodé Lassana Diabaté - balafon
Hawa Kassé Mady Diabaté - vocals
Mamadou Kouyaté - bass ngoni
KRONOS QUARTET
David Harrington - violin
John Sherba - violin
Hank Dutt - viola
Sunny Yang – cello
Arrangements by Fodé Lassana Diabaté, Lucy Durán, and Jacob Garchik
Produced by Nick Gold, Lucy Durán, and David Harrington
Recorded and mixed by Jerry Boys with Scott Fraser
Mastered by Tom Leader and Jerry Boys
Trio Da Kali was created by the Aga Khan Music Initiative, a program of the Aga Khan Trust for Culture
For more than 45 years, San Francisco’s Grammy-winning Kronos Quartet and its nonprofit Kronos Performing Arts Association
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